1600 Пенсильвания-авеню: Неудавшийся шедевр Бернстайна

Musical with music by Leonard Bernstein and lyrics by Alan Jay Lerner

1600 Pennsylvania Avenue is a 1976 musical with music by Leonard Bernstein and book and lyrics by Alan Jay Lerner. It is considered to be a legendary Broadway flop, running only seven performances. It was Bernstein's last original score for Broadway.

The musical opened on May 4, 1976, at the Mark Hellinger Theatre and closed on May 8, 1976, after 7 performances and 13 previews. It was co directed and co choreographed by Gilbert Moses and George Faison. The musical examined the establishment of the White House and its occupants from 1800 to 1900. Primarily focusing on race relations, the story depicted (among other incidents) Thomas Jefferson's then alleged affair with a black slave, James Monroe's refusal to halt slavery in Washington, the aftermath of the American Civil War and Andrew Johnson's impeachment. Throughout the show, the leading actors performed multiple roles: Ken Howard played all the presidents, Patricia Routledge all the First Ladies, and Gilbert Price and Emily Yancy played the White House servants, Lud and Seena. Future Broadway stars Reid Shelton, Walter Charles, Beth Fowler and Richard Muenz appeared in ensemble roles, as did the young African American baritone Bruce Hubbard. The show was originally intended to be performed as a play within a play, with the show's actors stepping out of character to comment on the plot and debate race relations from a modern standpoint. But this concept was almost entirely removed during the show's out of town tryouts in Philadelphia and Washington, D. C. The musical's original director, Frank Corsaro, choreographer, Donald McKayle, and set and costume designer, Tony Walton, left the production during these tryouts. By the time the show opened on Broadway, little of the metatheatrical concept remained, aside from certain scenic and costume elements and a few musical references (most notably, the opening number "Rehearse!"). Discouraged by the critical and public response to the work and angry that during the tryouts much of his music had been condensed and edited without his consent, Bernstein refused to allow a cast recording of the musical.

The initial critical response to the show was resoundingly negative. Critics savaged Lerner's book while largely praising Bernstein's score. for which she received a mid show standing ovation on opening night in New York and a mid show standing ovation from the orchestra on closing night. After Bernstein's death a concert version of the score, retitled A White House Cantata was recorded and released. That version tended to be reviewed as a classical work rather than a Broadway musical, a tendency encouraged by the casting of the leading roles with opera singers. Differences in the score and performance style make it impossible to judge the original musical fairly from the later recording. The score is considered by many musical theater historians and aficionados to be a forgotten, or at least neglected, masterpiece. Some of the songs have enjoyed some fame outside the show including "Take Care of This House," "The President Jefferson Sunday Luncheon Party March" and "Duet for One", a tour de force for a single actress portraying both Julia Grant and Lucy Hayes on the day of Rutherford B. Hayes's inauguration detailing the exhausting vote counts that had many questioning his legitimacy. Author Ethan Mordden noted that "Bernstein and Lerner created an astonishingly good score, even a synoptic all American one, with fanfare, march, waltz, blues. It's Bernstein's most classical work for Broadway."

The show's only significant revival was a 1992 Indiana University Opera Theatre production, which used a pre Philadelphia draft of the script and included portions of Bernstein's music that had been excised on the road to Broadway. This production also played briefly at the Kennedy Center in Washington, D. C. in August 1992.

After Bernstein's death in 1990, the heirs of his estate sifted through the many variations and revisions of the score and authorized A White House Cantata, a choral version that deleted nearly all the remaining play within a play references. The Leonard Bernstein estate controls the licensing of performances of the cantata version, but refuses to allow the performance, recording, or publication of the original musical.

Although no cast album was made, Patricia Routledge's performance of "Duet for One" survives as a private recording in mono from the premiere, complete with standing ovation. Individual numbers from the work have been commercially recorded and performed by a variety of notable singers. "Take Care of This House" was sung by Frederica von Stade under Bernstein's direction at the inauguration of Jimmy Carter. The song was subsequently recorded by Judy Kaye, Joanna Gleason, Julie Andrews, and opera singers Marilyn Horne and Roberta Alexander. In the 21st century "Take Care of This House" was recorded by Kelli O'Hara for the 2012 album Celebrating the American Spirit conducted by Judith Clurman, and by Barbra Streisand for her 2018 album Walls. "The President Jefferson March" and "Duet for One" both appear in their original (pre Broadway) versions on an EMI disc called Broadway Showstoppers, conducted by John McGlinn and sung by Davis Gaines and Judy Kaye. The late African American baritone Bruce Hubbard, a member of the original Broadway ensemble, also recorded Lud's ballad "Seena" on his album For You, For Me, which was reissued in 2005. Sarah Brightman performed "Lud's Wedding" on The Songs That Got Away, her 1989 collection of lost Broadway songs.