Бен Траверс: Жизнь и творчество английского писателя

English writer

Ben Travers (12 November 188618 December 1980) was an English writer. His output includes more than 20 plays, 30 screenplays, 5 novels, and 3 volumes of memoirs. He is best remembered for his long running series of farces first staged in the 1920s and 1930s at the Aldwych Theatre. Many of these were made into films and later television productions. After working for some years in his family's wholesale grocery business, which he detested, Travers was given a job by the publisher John Lane in 1911. After service as a pilot in the First World War, he began to write novels and plays. He turned his 1921 novel, The Dippers, into a play that was first produced in the West End in 1922. His big break came in 1925, when the actor manager Tom Walls bought the performing rights to his play A Cuckoo in the Nest, which ran for more than a year at the Aldwych. He followed this success with eight more farces for Walls and his team; the last in the series closed in 1933. Most of the farces were adapted for film in the 1930s and 1940s, with Travers writing the screenplays for eight of them. After the Aldwych series came to a close, in 1935 Travers wrote a serious play with a religious theme. It was unsuccessful, and he returned to comedy. Of his later farces only one, Banana Ridge (1938), rivalled the runs of his 1920s hits; it was filmed in 1942. During the Second World War Travers served in the Royal Air Force, working in intelligence, and later served at the Ministry of Information, while producing two well received plays. Due to the war and the death of his wife, Ben had a fallow period, although he collaborated on a few revivals and adaptations of his earlier work. He returned to playwriting in 1968. He was inspired to write a new comedy in the early 1970s after the abolition of theatre censorship in Britain permitted him to write without evasion about sexual activities, one of his favourite topics. The resulting play, The Bed Before Yesterday (1975), presented when he was 89, was the longest running of all his stage works, easily outplaying any of his Aldwych farces.

Travers was born in the London borough of Hendon, the elder son and the second of the three children of Walter Francis Travers, a merchant, and his wife, Margaret Burges. He was educated at the Abbey School, Beckenham, and at Charterhouse. He did not greatly enjoy his schooldays and later declared that he had been "a complete failure at school". Travers left Charterhouse in 1904 and was sent by his parents to live in Dresden, for a few months, to learn German. While he was there he saw performances by the leading French actors, Sarah Bernhardt in La Tosca, and Lucien Guitry in Les affaires sont les affaires, which inspired him with a passion for the theatre. His parents were unimpressed by his ambition to become an actor; he was sent into the family business, the long established wholesale grocery firm Joseph Travers & Sons Ltd, of which his father was a director. He found commercial life tedious and incomprehensible: "I had no more idea what it was all about then than I have now and vice versa." He served first at the firm's head office in Cannon Street in the City of London, which was dominated by dauntingly bearded Victorian patriarchs. From there, to his and the patriarchs' relief, he was soon transferred to the company's offices in Singapore and then Malacca. While at the Malacca outpost Travers had little work and much leisure; in the local library he found a complete set of the plays of Pinero. He later said he fell on them with rapturous excitement and found each volume "a guidebook to the technique of stagecraft." They rekindled his interest in the theatre, his earlier wish to be an actor now overtaken by his determination to be a dramatist.|group= n He later told Pinero that he had learnt more from him than from all other playwrights put together. His greatest lesson from Pinero was that "however absurd the incidents of a play they had to arise from a basis of reality. The people should never be mere grotesques. Ideally they should be as matter of fact – or apparently so – as the people across the road." Travers worked for Lane for three years, during which he accompanied his employer on business trips to the US and Canada. On the outbreak of the First World War, Travers joined the Royal Naval Air Service (RNAS). His service was eventful. He crashed several times and narrowly failed to shoot down a Zeppelin. He became a squadron commander, and when the RNAS merged with the Royal Flying Corps he transferred to the new Royal Air Force with the rank of Major in 1918. He served in south Russia during the Allied intervention in the Russian Civil War, in 1919, and received the Air Force Cross in 1920. In April 1916 Travers married Violet Mouncey (d. 1951), the only child of Captain D W B Mouncey, of the Leicestershire Regiment, and granddaughter of Sir James Longden.

With the security of his wife's income, Travers determined to earn his living as a writer when he was demobilised from the RAF. He and his wife settled in Somerset, and he started to write. His first attempt was a farce about a lawyer who finds himself mistaken at a country house full of strangers for half of a husband and wife jazz dance act. While writing it he decided to turn it into a novel, The Dippers, which was accepted by John Lane and published in 1921. The reviews were good. The Daily Chronicle noted "an amount of clever writing and character study that the humorous novel rarely gets as clever a piece of comedy as we have read for some time". Travers then turned the novel back into a farce and sent it to the actor manager Sir Charles Hawtrey. After a tour that included eight large towns and cities, Hawtrey brought the play into the West End in 1922. The reviews were mixed: The Manchester Guardian praised the piece, and its star Cyril Maude; The Observer was scathing about both. The Times considered the play "neatly contrived and often brilliantly phrased" and praised the cast and the author – "such good company and in a play so amusing". The play had a moderately successful London run of 173 performances. The piece ran for just over three months. Travers followed The Dippers with another farcical novel, A Cuckoo in the Nest, published in 1922. Again reviewers praised its humour, and again Travers turned it into a playscript. The actor Lawrence Grossmith spotted the dramatic possibilities of this story, and he acquired the performing rights to the play. Before Grossmith had time to produce the piece, he had an offer from the actor manager Tom Walls to buy the rights. Walls was in need of a replacement for his current hit farce, It Pays to Advertise, which was nearing the end of a long run at the Aldwych Theatre.

With Travers's agreement, Grossmith sold the rights to A Cuckoo in the Nest to Walls, and the play opened at the Aldwych in July 1925. The leading lady was Yvonne Arnaud, and the two leading men were Walls and Ralph Lynn. They were supported by a team of players who became part of a regular company at the Aldwych for the rest of the 1920s and into the 1930s: Robertson Hare, Mary Brough and Gordon James, joined in subsequent productions by Winifred Shotter (in place of Arnaud) and Ethel Coleridge.#tag:ref|The Oxford Dictionary of National Biography incorrectly states that Travers himself was in the cast of A Cuckoo in the Nest. The cast list was printed in The Times, the day after the premiere, and does not include Travers. Though the main parts in the Aldwych plays were written to fit the members of the regular company, Travers varied their roles to avoid monotony. He also varied the themes of his plots. Thark was a spoof of haunted house melodramas; Plunder featured burglary and violent death (in a way that pre echoed Joe Orton), and A Bit of a Test had a cricketing theme at the time of the controversial "Bodyline" series. Travers's biographer H Montgomery Hyde records that between 1926 and 1932 the Aldwych box office grossed £1,500,000 in receipts, and the aggregate number of performances of the nine Travers farces totalled nearly 2,700.

After the Aldwych series finished Travers wrote his first serious play, Chastity, my Brother (1936), based on the life of St Paul. To his sadness, it ran for only two weeks. No author was named for the piece, but it was an open secret that Travers was the author. The Times dismissed it on those grounds; Ivor Brown in The Observer congratulated Travers and deplored the snobbish suggestion that a writer of successful farces could have nothing of value to say on religious matters. All his life Travers held strong religious views and was a regular communicant of the Church of England; his views on chastity, however, were unorthodox: "sex is nature's act – God's will", and he admitted to wholesale promiscuity. After the failure of Chastity, my Brother, Travers returned to comedy, though not immediately to farce. Later in 1936 his O Mistress Mine was a light Ruritanian vehicle for Yvonne Printemps. He returned to farce with Banana Ridge (1938) in which Robertson Hare starred with Alfred Drayton. It was set in Malaya, and turned on which of two middle aged pillars of Empire was the father of the young hero. Travers himself played the part of Wun, a servant; his lines in colloquial Malay, remembered from his Malacca days, were improvised and sometimes took his colleagues by surprise. The play ran for 291 performances, bettering the runs of the last six Aldwych farces.

Source: Gale Contemporary Authors Online.

Vale of Laughter, John Lane, 1930, Bles, 1957. A sitting on a Gate, W. H. Allen, 1978. Ninety four Declared: Cricket Reminiscences, foreword by Brian Johnston, Elm Tree Books, 1981.

PremierePublishedNotes The Dippers 1922 adapted from Travers's 1921 novel of the same title The Three Graces 1924 adapted from a play by Carlo Lombardo and A. M. Willner A Cuckoo in the Nest 1925 Bickers, 1939 adapted from his novel of the same title Rookery Nook 1926 Bickers, 1930 adapted from his novel of the same title Thark 1927 Samuel French, 1927 adapted in 2013 by Clive Francis, published by Oberon Books Plunder 1928 Bickers, 1931 Mischief 1928 adapted from his novel of the same title A Cup of Kindness 1929 Bickers, 1934 A Night like This 1930 Turkey Time 1931 Bickers, 1934 Dirty Work 1932 A Bit of a Test 1933 Chastity, My Brother 1936 O Mistress Mine 1936 Banana Ridge 1938 Bickers, 1939 Spotted Dick 1939 She Follows Me About 1943 Samuel French, 1945 Outrageous Fortune 1947 Samuel French, 1948 Runaway Victory 1949 (Brighton) Wild Horses 1952 Samuel French, 1953 Nun's Veiling 1953 (Bromley) Samuel French, 1956 revised version of O Mistress Mine Corker's End 1968 (Guildford) The Bed Before Yesterday 1975 Samuel French, 1975 After You with the Milk Samuel French, 1985 Malacca Linda