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Area of a Japanese Home
the Japanese style food preparation place

The Japanese kitchen is the place where food is prepared in a Japanese house. Until the Meiji era, a kitchen was also called kamado (かまど; lit. stove) and there are many sayings in the Japanese language that involve kamado as it was considered the symbol of a house. The term could even be used to mean "family" or "household" (much as "hearth" does in English). Separating a family was called kamado wo wakeru, or "divide the stove". Kamado wo yaburu (lit. "break the stove") means that the family was broken.

The earliest dwellings in Japan used an open fire hearth for cooking. The first stove was recorded in the Kofun period, between the 3rd to 6th century. These stoves, called kamado, were typically made of clay and sand; they were fired through a hole in the front and had a hole in the top, into which a pot could be suspended from its rim. This type of stove remained in use for centuries to come, with only minor modifications. In the 14th century, in the Muromachi period, stoves with two holes were recorded in drawings. By the early 17th century, the beginning of the Edo period, large stoves with several cooking holes were common in the kitchens of the upper class house as well as in large restaurants. It is believed these multiple hole types appeared earlier than recorded but were omitted from drawings of the time because inclusion of a single hole stove was sufficient to indicate a kitchen. The stove was low, meaning cooks had to squat to cook. In the larger kitchens, especially those of palaces and temples, raised kamado that could be operated while standing up were developed in the Edo period (1603–1867). Irori (囲炉裏、いろり) appeared in the Kofun period and served as a secondary stove. A section of wooden panels were removed from the floor and a lacquered square wooden frame was fitted in the place. The frame was filled with sand and an iron hook was lowered from the ceiling. Foods were reheated or cooked over in an iron pot hung from a hook and the fire served as a heat source. This type of stove became common in many homes by the early Nara period and a smaller irori is the center piece of a tea house. A third type of stove, a hibachi (火鉢, ひばち) lit. "fire pot", appeared as late as the early Heian period but is likely to have been used earlier. A hibachi is a deep small pot half filled with sand and ash and a small fire was started in the pot. It was used as a safer form of heating equipment than was available previously and could be used to cook small morsels of food.

Fire was a part of a kitchen from the start, but water was late in becoming a part. In the Yayoi period (300 B. C. to A. D. 250), the cultivation of rice became widespread, and villages would be constructed near a marsh and a lowland. The water was muddy and asaido (浅井戸) lit.) shallow wells, were constructed. An asaido was filled with sand and pebbles through which the water flowed to filter out mud and larger organisms. A deeper well was also dug and sometimes a hollowed log was inserted into the well to prevent the walls' collapse. A pot was used to scoop water. It was not long before people started improving on these primitive wells. The area around a well was tiled with stones, then fune (水船) was invented. Wooden or bamboo shafts were used to carry water from nearby wells and springs to a fune or manually filled by women. Water was carried from these fune to a water vase from where it was used. Sometimes a fune was made inside a house, but it did not have the function of a sink. It was used to collect and store water and nothing more. Fune later became a part of a Japanese garden. The first time that a sink appeared in a drawing was in the Bokie (慕帰絵) written in the early Muromachi period. The kitchen of the Nanrou temple (南瀧院) had a large sunokoyuka (すのこ床) lit. drainboard floor, next to a stove with a water filled oke and hisyaku (syaku) for washing. This sunokoyuka was made with split bamboo and water would drain through gaps between the canes. Even though in many places a sunokoyuka was made over a river and washing was done, to make a part of the kitchen floor into sunokoyuka to use as a drain was an innovation. This did not pose a health problem as kitchen scraps were meticulously collected and used to make a compost. Few Japanese ate meat due to the Emperor's decree in the 8th century and animals and birds were slaughtered away from a house. Until late Edo period, this type of kitchen was widely used.

Shoin zukuri became the standard style of building a house beginning in the 13th century and it was revolutionary for combining fire (stove) and water (well and drain) into a single place. It was still few steps short of a kitchen. In the early stage of Shoinzukuri style, instead of the kitchen being a room inside the omoya (母屋) or the main building, it was connected by a corridor and existed inside one of many sub buildings. However, it did have a kamado, a irori, a well, and a sunokoyuka in the same room. In the Edo period (1603 to 1868), daidokoro came to mean "kitchen" and became an integrated part of the house. It was, however, more common to call it katte (勝手) which is used to mean the "back door." The pantry room was called ozentate (御膳立). Upper class houses were well stocked and extremely large by today's standard. The country house of Tokugawa Mitsukuni, known as a gourmet of Edo period, had kitchen spaces at least 34 jyou or about 53 square metres. This is more than one third of the entire house and does not include the sake storage room or the pantry. Some kitchens had running water by having bamboo shafts connected to the water source extend into the kitchen; users of less well equipped kitchens fetched water from a common well. A separate kitchen within the house had become customary and all but the smallest single room houses had one. Storage in kitchens was provided by mizuya tansu. These are Japanese style chests, often with a mix of compartments behind sliding doors and drawers of varying sizes. These are still available today as antiques, or altered reproductions tailored to a more modern/western style of kitchen.

In 1912, a progressive woman's magazine Fujin no tomo (婦人の友) ran a contest for a heiminteki risouno daidokoro (平民的理想の台所), or "ordinary people's sophisticated kitchen." Heimin, literally "average person," was a popular phrase in the 1910s and 1920s, and it implied a well educated and progressive person. Fifty two contest entries were sent by readers, and two were awarded grand prizes. These winners were called "the city kitchen" and "the village kitchen". The city kitchen was about 15.5 square metres in size and was intended to be used by a wife and her mother in law. The kitchen had doors leading to the dining room, the bath, and the laundry area. It had a wooden floor, roughly one fourth of which included underfloor food storage lined with concrete. Two kamado were at one end, and a separate portable stove using charcoal was set up in the middle of the room. Next to the kamado was a stone sink without a water tap. Next to this sink were storage shelves with pots and pans on top, washed dishes in the middle, and vegetables and miso on the bottom. Next to the portable stove was a large food preparation table, with several drawers to store cooking utensils. Staples such as rice, sugar, and flour were kept in pots beneath this table. Additional shelves at the other end of the room could be accessed from both the kitchen and the dining room. Next to these shelves was another preparation table where foods were served onto individual dishes and then carried to the dining room. Kitchen windows and shoji were installed with glass panes to make the kitchen brighter, and electric lights were hung from the ceiling. This "dream kitchen" was spacious by today's standards, yet it lacked most modern post industrial conveniences, although many smaller improvements had been made. Also around this time, many families started to use a low table called chabudai. Everyone sat around it, rather than using individual daiban. Until the 1960s, sitting on chairs and eating around a dining table was considered "haikara".

In the Taishō period (1912–1926), a popular movement called "Taishō Democracy" began. Its main focus was on universal suffrage for males, and this movement extended into other fields, serving as a modernization effort similar to the Meiji Restoration. The kitchen was affected. Before the Taishō period, the kitchen was constructed so that most tasks could be done while sitting, crouching, or kneeling. This was due to long preparation and cooking times and helped keep the stove low to prevent the spread of fire. As gas stoves and European style clothes became popular, kitchens were redesigned so they could be used while standing. A second innovation was that instead of placing the stove and water sink in a sunken, dirt floored section of the kitchen, the stove was constructed on the same level as the rest of the kitchen, eliminating the need for stepping into footwear to attend it. In 1922, Suzuki Shougyou began marketing a customizable kitchen set that came to be called the "System Kitchen." Many of its parts were prefabricated, and it could be made to fit in a space anywhere from 1.8 to 2.7 metres, the length of one to one and one half tatami mats. The System Kitchen had a water sink, a cutting board, two or more gas stoves (not included), and cabinets for storage. This Suzuki kitchen was expensive, costing 120 yen at a time when a first year bank worker earned only 50 yen per month. Today the same worker earns over 240,000 yen or about 2,400 dollars in a month. By the end of the Taishō period, it was becoming increasingly difficult to have a maid to help around the house. This means that the kitchen had to be smaller for a housewife working alone. Whereas a European Frankfurt kitchen measured 1.9m by 3.4m, or 6.46 square metres, Japanese pushed for an even smaller size, 1 tsubo or 3.3 square metres, the area of two tatami mats. Three sides of these kitchens were filled with cupboards, stoves, storage areas, and a water sink.

Many Japanese houses were destroyed in World War II. Rebuilding allowed architects to freely redesign houses as well as kitchens. The influence of Edo period lifestyles was now nearly gone. Electricity and gas were built into kitchens, and designs reflected this change. An electric refrigerator, a luxury item before the war, became a standard item in the 1950s, along with an electric washing machine and a black and white television. However, early post war housing projects were often poorly designed. Sometimes architects simply copied plans for American or European housing projects, with only minor modifications to better suit Japanese families. Kitchens were small and soon became cluttered with new electric appliances. The "System Kitchen" approach to design was intended to make the kitchen easier for the average housewife to use. Since most families cook many types of cuisine in their kitchens, a streamlined cooking process was studied, focusing on how the kitchen was actually used. In a system kitchen, the refrigerator and other electrical appliances were placed in predesigned locations, and storage spaces were subdivided to house pots, pans and kitchen utensils.