Ирландский христианский гимн «Будь моим видением»

Christian hymn

"Be Thou My Vision" ( or Rob tú mo bhoile) is a traditional Christian hymn of Irish origin. The words are based on a Middle Irish poem that has traditionally been attributed to Dallán Forgaill. The best known English version, with some minor variations, was translated in 1905 by Mary Elizabeth Byrne, then made into verse by Eleanor Hull and published in 1912. Since 1919 it has been commonly sung to an Irish folk tune, noted as "Slane" in church hymnals, and is one of the most popular hymns in the United Kingdom.

The original Old Irish text, "Rop tú mo Baile", is often attributed to Saint Dallán Forgaill in the 6th century. However, scholars believe it was written later than that. Some date it to the 8th century; others put it as late as the 10th or 11th century. A 14th century manuscript attributed to Adhamh Ó Cianáin contains a handwritten copy of the poem in Middle Irish, and is held at the National Library of Ireland. A second manuscript is at the Royal Irish Academy, dating from about the 10th or 11th century. The text of "Rop tú mo Baile"/"Be Thou My Vision" reflects aspects of life in Early Christian Ireland (c.400 800 AD). The prayer belongs to a type known as a lorica, a prayer for protection. The symbolic use of a battle shield and a sword to invoke the power and protection of God draws on Saint Paul's Epistle to the Ephesians , which refers to "the shield of faith" and "the sword of the Spirit". Such military symbolism was common in the poetry and hymnnology of Christian monasteries of the period due to the prevalence of clan warfare across Ireland. The poem makes reference to God as "King of the Seven Heavens" and the "High King of Heaven". In 1905, "Rop tú mo Baile" was translated from Old Irish into English by Mary Elizabeth Byrne in Ériu, the journal of the School of Irish Learning. The English text was first versified in 1912 by Eleanor Hull, president of the Irish Literary Society, and this is now the most common text used.

The hymn is sung to the melody noted as “Slane” in hymnals, an Irish folk tune in time, first published as "With My Love on the Road" in Patrick Joyce's Old Irish Folk Music and Songs in 1909. The tune is a more elemental distillation of earlier forms, such as "The Hielan's o' Scotland' and "By the Banks of the Bann," also compiled in Joyce (1909). The words of "Be Thou My Vision" were first combined with this tune in 1919 (harmonised by Leopold L Dix, 1861 1935), A further version was harmonised by Erik Routley for the English Hymnal. In some modern renditions the rhythm of "Slane" is adapted to
It was common practice to attribute hymn tune names to the place where they were collected by folk song collectors, such as Ralph Vaughan Williams who co edited The English Hymnal, published in 1906. Slane is a village in Ireland. Four more 20th century hymns have been set to the same tune. The first was "Lord of All Hopefulness" written by Jan Struther around 1931. The second was "Lord of Creation, to Thee be All Praise" written by J. C. Winslow and first published in 1961. The third was a popular wedding hymn, "God, In the Planning and Purpose of Life", written by John L. Bell and Graham Maule and first appearing in publication in 1989. The fourth is "Wake Now My Senses," written by Thomas Michaelson and published in "Singing the Living Tradition Hymnal" 1994, by the Unitarian Universalist Association. Gå inte förbi ("Don't Walk Past") is a duet single set to the tune, recorded by Swedish singer Peter Jöback and Norwegian singer Sissel Kyrkjebø and written by Ulf Schagerman. Jöback sings the lyrics in Swedish while Sissel sings in Norwegian. It was released as a single in 2003 and at an extended reissue of Jöback's Christmas album Jag kommer hem igen till jul. It was a hit in Norway and Sweden in the Christmas time of 2003 and a music video directed by Mikadelica was made in Denmark. Norwegian newspaper VG gave it 4 out of 6.

The original texts of the now called "Be Thou My Vision" are in Old Irish similar still in style to Modern Irish. The hymn has been translated into Modern Irish many times. The most popular is that by Aodh Ó Dúgain of Gaoth Dobhair, County Donegal. Two verses of his translation were recorded by his granddaughter Moya Brennan – the first time any part of his text has been publicly recorded. Since then, those two verses have been recorded by many artists, including Roma Downey and Aoife and Iona. These verses are very close translations to the first two of the Old Irish text above. With Old Irish being the ancestor language of Modern Scottish Gaelic, the song was translated by Céitidh Mhoireasdan and published by Sabhal Mòr Ostaig. Two variants of Eleanor Hull's 1912 English translation exist; one version, commonly used in Irish and Scottish hymnals (including the Hymnbooks of the Church of Scotland), fits the metre 10.10.10.10, while a paraphrased version that is used in English books (such as the New English Hymnal) is suitable to an anacrucial metre 10.11.11.11.