Выходные: Путешествие в хаос

Film by Jean Luc Godard
France
Italy written and directed by Jean Luc Godard, based on Julio Cortázar's short story "La autopista del Sur". It stars mainstream French TV stars Mireille Darc and Jean Yanne. Jean Pierre Léaud, comic star of numerous French New Wave films, including François Truffaut's The 400 Blows (1959) and Godard's earlier Masculin Féminin (1966), appeared in two roles. Raoul Coutard served as cinematographer.

Roland and Corinne Durand are a bourgeois couple. Each has a secret lover and conspires to murder the other. They drive to Corinne's parents' home in the country to secure her inheritance from her dying father, resolving to resort to murder if necessary. The trip becomes a chaotic journey through a French countryside populated by bizarre characters and punctuated by violent car accidents. After their own Facel Vega is destroyed in a collision, they wander through a series of vignettes involving class struggle and figures from literature and history, such as Louis Antoine de Saint Just and Emily Brontë. In a metafictional touch, some scenes show the characters in the film being self aware such as a driver asking Roland after being flagged down, "Are you in a film or reality? ", the film's real actors from the Italian co production being mentioned during Corinne and Roland's search for a car to Oinville (to which they never specify further as to which Oinville they are referring to), and various intertitles which are a defining feature to Godard's films. When Corinne and Roland eventually arrive at her parents' place, they discover that her father has died and her mother refuses to give them a share of the spoils. They kill her and hit the road again, only to fall into the hands of a group of hippie revolutionaries (calling themselves the Seine and Oise Liberation Front) that support themselves through theft and cannibalism. Killed during an escape attempt, Roland is chopped up and cooked.

Weekend has been compared to Alice in Wonderland, the James Bond series, and the works of Marquis de Sade. Tim Brayton described it as a "film that reads itself, tells the viewer what that reading should be, and at the same time tells the viewer that this reading is inaccurate and should be ignored." In one of the early scenes, Corinne tells her lover about a sexual experience she had. Part of the story she tells is based on the Georges Bataille novel Story of the Eye (Histoire de l'œil).