Энрико Арригони: Итало-американский анархист и его борьба с кубинским революционным движением.

Italian American anarchist (1894–1986)
Enrico Arrigoni (pseudonym: Frank Brand) (February 20, 1894 Pozzuolo Martesana, Province of Milan – December 7, 1986 New York City) was an Italian American individualist anarchist, a lathe operator, house painter, bricklayer, dramatist and political activist influenced by the work of Max Stirner.

He took the pseudonym "Brand" from a fictional character in one of Henrik Ibsen´s plays. Along with the exiled Cuban anarchist Manuel Ferro, they "began a campaign in Italy itself They turned to the most important Italian anarchist periodical, Umanità Nova (“New Humanity”), the official publication of the Federazione Anarchica Italiana, with the idea of counterbalancing the undeniable influence of L’Adunata in the Italian American anarchist community, and more especially of responding to a series of pro Cuban Revolution articles published in that weekly by Armando Borghi. Umanità Nova refused to publish Ferro's articles (translated by Arrigoni), saying that they didn't want to create a polemic. At that point, Arrigoni accused them of being in the pay of the Communists, and they eventually published Ferro's responses to Borghi. A few months later, Borghi — ignoring the points raised by Ferro — published a new defense of Castroism in L’Adunata, but Umanità Nova refused to publish Ferro's response to it." Arrigoni also translated articles written by Ferro which were published in the anarchist press of France, Italy, Mexico, and Argentina. According to Ferro, “In the majority of our milieus [these articles] were received with displeasure,” owing to the “enthusiasm” with which the Cuban Revolution had been received in them. But in other cases, anarchists rallied to the Cuban libertarian cause. Reconstruir (“To Reconstruct”) in Buenos Aires, whose publishing house, Colectivo, fully identified with the Cuban anarchists, published all of Ferro's works."