Героин: Песня Velvet Underground (1967)

1967 song by the Velvet Underground

"Heroin" is a song by American rock band the Velvet Underground, released on their 1967 debut album The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin usage and its effects, is one of the band's most celebrated compositions. Critic Mark Deming of Allmusic writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners." In 2004, it was ranked at number 448 on Rolling Stones list of "The 500 Greatest Songs of All Time", and was re ranked at number 455 in 2010.

In an interview with WLIR in 1972, Reed said he wrote the lyrics while working as a songwriter for Pickwick Records, a budget label that mostly released inexpensive sound alikes. "Heroin" was one of three songs on The Velvet Underground & Nico (along with "I'm Waiting for the Man" and "Venus in Furs") that were re recorded at TTG Studios in Hollywood following the initial recording sessions in New York. This recording of the song is the second longest track on the album, at 7 minutes and 12 seconds long; "European Son" is 30 seconds longer. "Heroin" begins slowly with Reed's quiet, melodic guitar, Sterling Morrison's rhythm guitar, and drum patterns by Maureen Tucker, soon joined by John Cale's droning electric viola. The tempo increases gradually, until a crescendo, punctuated by bow scratching and feedback from Cale's viola and louder, more regular strumming by Reed and Morrison. Tucker's drumming becomes faster and louder. The song then slows to the original tempo, and repeats the same pattern before ending. The song is based on a plagal progression of D♭ and G♭ major chords (I and IV in the key of D♭ major). Like the band's later song "Sister Ray", it features no bass guitar part, with both Reed and Morrison playing guitar. In reference to the song's use of only two chords, Rolling Stone remarked that "it doesn't take much to make a great song." Tucker stopped drumming for several seconds at the 5:17 mark, before re entering. She explains:

The earliest recorded version of "Heroin" was a solo demo by Lou Reed. This demo was recorded in May 1965 while he was working for Pickwick and subsequently mailed to himself. The recording was rediscovered in 2022 by Reed's widow Laurie Anderson.

Another version of "Heroin" was with Lou Reed, Sterling Morrison and John Cale at the band's Ludlow Street loft in July 1965. Unlike versions of songs such as "I'm Waiting for the Man" and "Venus in Furs" from the same session, which sound drastically different from how they would on The Velvet Underground & Nico, this version of "Heroin" is nearly identical to the album version in structure. On the recording, Reed performs the song on an acoustic guitar. This version of the song can be found on the 1995 compilation album Peel Slowly and See.

The original take of "Heroin" that was intended for release on The Velvet Underground & Nico was at Scepter Studios in New York City, April 1966. This version of the song features slightly different lyrics, a faster tempo, and a more contained, less chaotic performance. It is about a minute shorter. One notable difference in the lyrics is Lou Reed's opening—he sings "I know just where I'm going" rather than "I don't know just where I'm going" as on the final album recording. Reed sometimes sang the earlier lyric while performing the song live.

"Heroin" (along with songs like "I'm Waiting for the Man" which dealt with similar subject matter) tied the Velvet Underground with drug use in the media. Some critics declared the band were glorifying the use of drugs such as heroin. However, members of the band (Reed, in particular) frequently denied any claims that the song was advocating use of the drug. Reed's lyrics, such as they are on the majority of The Velvet Underground & Nico, were more meant to focus on providing an objective description of the topic without taking a moral stance. Critics were not the only ones who misunderstood the song's neutral tone; fans would sometimes approach the band members after a live performance and tell them they "shot up to 'Heroin, a phenomenon that deeply disturbed Reed. As a result, Reed was somewhat hesitant to play the song with the band through much of the band's later career. Idol mixed eleven versions of "Heroin", releasing them on various singles with some containing previous hits. Six computer manipulated mixes were produced for the song's music video. One of these videos was later released on a video with his follow up single Shock to the System.

Larry Flick, writing for Billboard, described Idol's version as a "clench toothed reading of the Velvet Underground classic" with the use of Smith's "Gloria" adding a "spooky incantation". He added that while Idol's rock following "may grimace at his rave musings", the artist's "penchant for caustic sounds and frenetic rhythms makes this track ring remarkably true". In contrast, Stephen Thomas Erlewine of AllMusic called it "one of the worst covers ever recorded" in his review of Cyberpunk.

The song has been covered by several artists, including Mazzy Star, Human Drama, Echo & the Bunnymen, Roky Erickson, and Third Eye Blind. Lou Reed later performed "Heroin" live in his glam rock style, featuring the guitarists Steve Hunter and Dick Wagner. A recording of this arrangement appears on his 1974 live album Rock 'n' Roll Animal. Pere Ubu performed "Heroin" live with Peter Laughner on vocals, a recording of which was released on the archival live album The Shape of Things in 2000.

Denis Johnson's short story collection Jesus' Son, and the film based on it took its title from the lyrics of this song. In Irvine Welsh's novel Trainspotting, the central character Mark Renton describes playing the Rock 'n' Roll Animal version of "Heroin" instead of the original as "breaking the junkie's golden rule".