Пляжная вечеринка в пижамах (1964)

1964 beach party film directed by Don Weis

Pajama Party is a 1964 beach party film starring Tommy Kirk and Annette Funicello. This is the fourth in a series of seven beach films produced by American International Pictures. The other films in this series are Beach Party (1963), Muscle Beach Party (1964), Bikini Beach (1964), Beach Blanket Bingo (1965), How to Stuff a Wild Bikini (1965), Ski Party (1965) and The Ghost in the Invisible Bikini (1966). This fourth entry has not always been considered a follow up to the three films that preceded it. Several sources have noted, however, that while it is not a proper sequel, it is indeed a part of what is now termed AIP's ‘Beach Party series.’ Moreover, AIP marketed it as a sequel in its trailer, stating "The Bikini Beach Party Gang is Warming Up! – For the 'Party' that Takes Off – Where others Poop Out!" and "All the 'Beach Party' Fun in Pajamas!" Additional links that tie this film to the others are the return of Eric von Zipper and his Rat Pack (who previously appeared in Beach Party and Bikini Beach) and the return of Candy Johnson as Candy for the fourth time in as many films. Regulars Frankie Avalon, Don Rickles, Annette Funicello, Jody McCrea and Donna Loren all appear (albeit with character name changes – not the first time this happens in the series, nor the last); Susan Hart makes the first of three appearances in the AIP brand of the genre; Buster Keaton makes the first of four appearances, and Bobbi Shaw makes the first appearance of five. In addition, several background players in this film (Patti Chandler, Mary Hughes, Johnny Fain, Mike Nader, Salli Sachse, Luree Holmes, Ronnie Dayton, Ed Garner, Ray Atkinson, Linda Benson, and Laura Nicholson) also appear in three or more films in the AIP brand of the genre. The film is not to be confused with the 1963 novel Pajama Party about lesbian activities among college girls, which was banned on the grounds of obscenity.

A teen aged intelligence officer from the planet Mars named Go Go (Tommy Kirk) is ordered to Earth to prepare the way for a Martian invasion. Right from the start, he encounters problems. The power pack he wears on his back malfunctions and he is suspended several feet above ground. However, he is saved by the first Earthling he meets, Aunt Wendy (Elsa Lanchester), an eccentric widow with problems of her own. Her shady neighbor, J. Sinister Hulk (Jesse White) and his associates, Chief Rotten Eagle (Buster Keaton) and his Swedish sex bomb partner Helga (Bobbi Shaw), are scheming to separate Aunt Wendy from her million dollar inheritance. A subplot involves a motorcycle gang led by Eric von Zipper (Harvey Lembeck), a leather jacketed, middle aged delinquent with an irrational hatred for buxom beach babes and their surfer dude boyfriends. One such character, Connie (Annette Funicello), has a crush on a volleyball nut named Big Lunk (Jody McCrea). Inexplicably, he responds with disinterest. So Connie transmits a few subtle signals toward Go Go, and he gets the message. But later, when she discovers Go Go is a hostile Martian scout, she calls the whole thing off. In the meantime, Go Go teleports a squad of Martians from the Red Planet, but he is emotionally depressed by the absence of Connie. At a climactic pajama party, he thus turns informer and prevents Earth from being overrun. He is reunited with Connie, and the world is made safe.

Famed animator Joseph Barbera wrote a romantic comedy play which debuted on stage in Los Angeles in 1952 called The Maid and the Martian. It was about Captain Derro, a scout from Mars, who goes to Earth to help plan an invasion, but falls in love with a girl from Earth. The Los Angeles Times said the play "has strong elements and might even go to Broadway provided it gains more completeness in plot and situation." The production was directed by Gordon Hunt and starred Pat Priest (who would later become a regular on TV's The Munsters). It ran successfully for seven weeks. The play was revived in 1954 with James Arness in the lead. In 1961 AIP announced they would make The Maid and the Martian from a script by Al Burton and Gordon Hunt, based on the play. Stanley Frazen was to produce. However none of those people are credited on Pajama Party despite the fact the plot shares strong similarities with the final film. Annette Funicello even recorded an upbeat song titled "The Maid and the Martian" for her Vista album "Pajama Party", leading many to conclude the film and the play are clearly one and the same.

This was the first movie Louis M Heyward worked on for AIP. He wrote the script in two weeks, saying he tried to do it as a cartoon "and if you look at it, it's done almost in cartoon cuts, in four strips." Heyward says the film was firmly aimed at the 15 to 25 year old demographic. "These youngsters have the numbers, the buying power and the discrimination to make or break any film product." Heyward went on to write several other films for the studio, and became a leading executive for them.

Pajama Party is one of only two Beach Party films not directed by William Asher. Pajama Party and The Ghost in the Invisible Bikini were both directed by Don Weis.

The dances for this film were choreographed by David Winters of Shindig! and Hullabaloo fame. Both Teri Garr and Toni Basil were Winters' students at the time.

Filming started on 10 August 1964. The studio backlot used for the car chase sequence is the Warner Bros. Ranch Facility in Burbank, which was also used for the car chase sequence in Bikini Beach. The beach used for the volleyball scenes and Donna Loren's "Among the Young" song is Paradise Cove in Malibu. Susan Hart claimed second unit footage was later shot where her legs were substituted by another person's.

The film features extensive product placement of Dr Pepper soft drink (Donna Loren was known at the time as the "Dr Pepper Girl"). The then new Ford Mustang is also featured in several scenes.

John L. Scott of the Los Angeles Times said, "AIP's stock company puts on a frantic, funny show. Individual performances are standard for this type of picture, which means 'solid, man.'" Variety wrote, "As before there's strong accent on pulchritude and near nudity via brief attire", adding that the script "makes no effort to keep the narrative either taut or logical." The Monthly Film Bulletin stated, "The pop songs are feeble, the black leather gang parody is too completely divorced from reality, the Sci fi element doesn't get off the ground, and the numerous near nude teenage parties are utterly synthetic in their exuberance. Don Weis has a smooth way with action, but can make nothing of the chaotic narrative, the lethally unfunny running gags, and the insipid love scenes." The popularity of the film led to Buster Keaton appearing in a number of AIP movies before his death. Don Weis, Heyward and Kirk collaborated on another AIP beach party film which was actually a pajama party movie, The Ghost in the Invisible Bikini.

A sequence in the 1996 film That Thing You Do! makes an overt reference to the Nooney Rickett 4's saxophone heavy Beach Ball scene in Pajama Party, as well as to the beach party genre in general. The band in the film, The Wonders, mime a live performance of an instrumental song during the filming of a beach party film titled Weekend at Party Pier. The film is referred to as a "Rick & Anita film" (the AIP films are often called "Frankie & Annette films"), and includes a Deadhead/Bonehead character called "Goofball." The four man Wonders band – including the guitarist now playing a saxophone – are seen playing a song on an elevated wooden stage surrounded by a wildly dancing crowd in various bathing suit attire, as in Pajama Party. Although in That Thing You Do! the Wonders are being forced by the studio to pretend they are a band called "Cap'n Geech and the Shrimp Shack Shooters", in reality all acts performing in the AIP beach party films appeared as themselves.