Leonard Strong

the actor

Leonard Alfred George Strong (8 March 1896 – 17 August 1958) was a popular English novelist, critic, historian, and poet, and published under the name L. A. G. Strong. He served as a director of the publishers Methuen Ltd. from 1938 to 1958.

Strong was born at Compton Gifford, of an Irish mother, Marion Jane (née Mongan), and a half Irish father born in the United States, Leonard Ernest Strong (1862/3 1948), a chemical works manager (eventually director of Fisons), and was proud of his Irish heritage. His father was a grandson and great grandson of Church of England clergymen educated at Wadham College, Oxford. As a youth, Strong considered being a comedian and took lessons in singing. He was educated at Brighton College and earned a scholarship to Wadham College, Oxford, as an Open Classical Scholar (studies in literature and the arts). a tale about a married man who has the perfect plan to murder his mistress, and which has a twist ending, has been reprinted often; it was a favorite of Boris Karloff. (Unhappy marriages were an occasional theme in his fiction, in works such as Deliverance.) His supernatural stories were often reprinted, as well. Strong was interested in the paranormal, as his haunted house and other horror stories attest, and believed he had seen ghosts and witnessed psychic phenomena. One of his earliest writings, A Defence of Ignorance, was the first book sold by Captain Louis Henry Cohn, the founder of House of Books, which specialized in first editions of contemporary writers. Cohn was a New York book collector who of necessity became a bookseller due to the Wall Street Crash of 1929, and he had Strong's manuscript, a six page essay, in his collection. Cohn published 200 signed copies of the title, priced at $2.00 each. Some of Strong's poems were set to music by Arthur Bliss. His Selected Poems appeared in 1931 (first American edition in 1932), and The Body's Imperfection: Collected Poems in 1957. He also edited anthologies of poetry, sometimes in collaboration with Cecil Day Lewis. His 1932 novel The Brothers was filmed in 1947 by the Scottish director David MacDonald; it starred Patricia Roc. One reviewer commented, "In a break from tradition, the film substitutes the novel's unhappy ending with an even unhappier one." Strong collaborated on or contributed to such filmscripts as Haunted Honeymoon (1940; a Dorothy L. Sayers story about Lord Peter Wimsey and Harriet Vane), Mr. Perrin and Mr. Traill (1948), and Happy Ever After (1954).

Kirkus Reviews asserted in 1935, "L. A. G. Strong can be counted on for a nostalgic picture of the call of the wild, and spins a good yarn as well." Mattingly shows hostility to sentimentalism twice in his review of The Seven Arms (as his own writing can wax sentimental, perhaps he slightly protests too much, given the romantic qualities he admires), declaring of the heroine, "the splendor of her legend is a romantic figure out of a romantic time but a figure too robust for sentimental tenderness, too vital to be the focus of nostalgic revery" and adding that she is drawn "with sympathy and understanding but without sentimentality or exaggeration." Richard Cordell, reviewing The Open Sky, likewise calls it "an exciting, unsentimental adventure." Reviewing The Buckross Ring and Other Stories of the Strange and Supernatural, Mario Guslandi writes, "at his best, Strong has an uncanny ability to create gentle, vivid and fascinating stories bound to leave the reader enchanted." Ian McMillan of the Yorkshire Post called the stories "odd and genuinely chilling."

Dublin Days. Oxford: B. Blackwell, 1921. By Haunted Stream. New York: D. Appleton and company, 1924. The Lowery Road. Oxford: B. Blackwell, 1923. Difficult Love. Oxford: B. Blackwell, 1927. At Glenan Cross: A Sequence. Oxford : B. Blackwell, 1928. Northern Light. London: Victor Gollancz, 1930. Selected Verse. Hamish Hamilton, 1931. Call to The Swan. London: H. Hamilton, 1936. The Magnolia Tree: Verses. London: A. P. Tayler, 1953. ("Limited to 100 copies printed privately for the author.") The Body's Imperfection: The Collected Poems of L. A. G. Strong. London: Methuen, 1957.

Dewer Rides. London: Victor Gollancz, 1929. The Jealous Ghost. New York: A. A. Knopf, 1930. The Garden. London: Victor Gollancz, 1931. The Brothers. London: Victor Gollancz, 1932. King Richard's Land: A Tale of the Peasants' Revolt. London: J. M. Dent & Sons, 1933. Sea Wall. London: Victor Gollancz, 1933. Corporal Tune. New York: A. A. Knopf, 1934. Fortnight South of Skye. New York, Loring and Mussey, 1935. Mr Sheridan's Umbrella. Illustrated by C. Walter Hodges. London: T. Nelson & son, 1935. The Seven Arms. London: Victor Gollancz ; New York: Alfred A. Knopf, 1935. The Last Enemy: A Study of Youth. London: Victor Gollancz, 1936. The Fifth of November. Illustrated by Jack Matthew. London: J. M. Dent and Sons, Ltd., 1937. (novel about Guy Fawkes and the Gunpowder Plot)
Laughter in the West. New York: A. A. Knopf, 1937. The Swift Shadow. London: Victor Gollancz, 1937. The Open Sky. London: Victor Gollancz, 1939. They Went to the Island. Illustrated by Rowland Hilder. London: Dent, 1940. House in Disorder. London: Lutterworth Press, 1941. The Bay. Philadelphia: J. B. Lippincott & Co., 1942. Slocombe Dies. London: Published for the Crime Club by Collins, 1942. The Unpractised Heart. London: Victor Gollancz, 1942. All Fall Down. London: Published for the Crime Club by Collins, 1944. Also Garden City, New York: Published for the Crime Club by Doubleday, Doran & Co., 1944. The Director. London: Methuen, 1944. Reprinted: Oslo: J. Grundt Tanum, 1947. (translated to serve as English as a foreign or second language Norwegian language)
Othello's Occupation. London: Published for the Crime Club by Collins, 1945. Published in the US under the title Murder Plays an Ugly Scene (see below)
Murder Plays an Ugly Scene. Garden City, New York: Published for the Crime Club by Doubleday, Doran & Co., 1945. Trevannion. London: Methuen, 1948. (set in the seaside town of Dycer's Bay)
Darling Tom and Other Stories. London: Methuen, 1952. ("Many of these stories have been broadcast.") Which I Never: A Police Diversion. London: Published for the Crime Club by Collins, 1950. Also New York: MacMillan, 1952. The Hill of Howth. London: Methuen, 1953. Deliverance. London: Methuen, 1955. Light above the Lake. London: Methuen, 1958. (posthumous)
Treason in the Egg: A Further Police Diversion. London: Collins, 1958.

Doyle's Rock and Other Stories. Oxford: B. Blackwell, 1925. The English Captain and Other Stories. New York: Alfred A. Knopf, 1931. Don Juan and the Wheelbarrow and Other Stories. London: Victor Gollancz, 1932. Tuesday Afternoon and Other Stories. London: Victor Gollancz, 1935. Odd Man In. Illustrated by Phoebe LeFroy. London: Sir Isaac Pitman & Sons, 1939. Sun on the Water and Other Stories. London: Victor Gollancz, 1940. Travellers: Thirty one Selected Short Stories. London: Methuen, 1945. (James Tait Black Memorial Prize)
'The English Captain', 'Storm', 'The Rook', 'Prongs', 'Travellers', 'The Gates', 'The Gurnet', 'The Seal', '"Indian Red"', 'The Galleon', 'The Big Man', 'Death of a Gardener', 'Don Juan and the Wheelbarrow', 'The White Cottage', 'Tuesday Afternoon', 'Snow Caps', 'The Fort', 'Lobsters', 'The Absentee', 'The Imposition', 'The Nice Cup o' Tea', 'A Shot in the Garden', 'West Highland Interlude', 'Mr. Kerrigan and the Tinkers', 'Coming to Tea', 'Here's Something You Won't Put in a Book', 'Tinkers' Road', 'Love', 'Evening Piece', 'On the Pier', 'Sun on the Water'. The Buckross Ring and Other Stories of the Strange and Supernatural, edited and with an introduction by Richard Dalby. Leyburn, North Yorkshire, England: Tartarus Press, 2009. (hardcover, )
'Introduction' by Richard Dalby, 'The Buckross Ring', ' "Splidges" ', 'Mr Tookey', 'The Farm', 'Tea at Maggie Reynolds's', 'Breakdown', 'The Gates', 'Crabtree's', 'Death of the Gardener', 'Orpheus', 'Sea Air','Lobsters', 'The Doll', 'Let Me Go', 'Danse Macabre', 'The House That Wouldn't Keep Still', 'Light Above the Lake', 'Afterword: The Short Story'.

"Breakdown," in The Forum, September, 1929, pp. 139–145. Reprinted in: Creeps By Night: Chills and Thrills, edited by Dashiell Hammett. New York: The John Day Company, 1931; And the Darkness Falls, edited, with an introduction and notes, by Boris Karloff. Cleveland: The World Publishing Company, 1946; and elsewhere. The Big Man. With a frontispiece by Tirzah Garwood and a foreword by A. E. Coppard; being no. 6 of the Furnival books. London: W. Jackson, Ltd., 1931. Reprinted in: The Fireside Book of Romance, edited by Edward Wagenknecht. Indianapolis: The Bobbs Merrill Company Publishers, 1948. (a short story "recounting the infatuation a British woman develops in a German resort hotel for a German guest")
"Don Juan and the Wheelbarrow," in John o' London's Weekly, 11 July 1931; The Yale Review, March 1932. Reprinted in: The Best British Short Stories of 1932, edited by Edward J. O'Brien. New York: Dodd, Mead, 1932. "Harvest by the Sea, or Mr. Wacksparrow, Mr. Deebles and the Sea Gull, a Story," in The Princess Elizabeth Gift Book, in aid of the Princess Elizabeth of York Hospital for Children, edited by Cynthia Asquith & Eileen Bigland. London: Hodder & Stoughton, 1935. "A Gift from Christy Keogh," in The Queen's Book of the Red Cross. London: Hodder and Stoughton, 1939. Reprinted in: Argosy, vol. 3 No. 12 (New Series), January 1943. The Doll. Leeds, England: Salamander Press, 1946. (a tale of witchcraft)
"Let Me Go: A Christmas Ghost Story," in The Strand Magazine, December 1946. Reprinted in: The Fireside Book of Ghost Stories, edited by Edward Wagenknecht. Indianapolis: The Bobbs Merrill Company, 1947; Great Irish Stories of the Supernatural, edited by Peter Haining. London: Souvenir Press, 1992 ; and elsewhere. "Danse Macabre," in The Strand Magazine, December 1949. Reprinted in: A Book of Modern Ghosts, compiled by Lady Cynthia Asquith. New York, Scribner, 1953; Great Irish Tales of Horror: A Treasury of Fear, edited by Peter Haining. Souvenir Press, 1995; and elsewhere. "The House That Wouldn't Keep Still," in The Third Ghost Book, edited by Lady Cynthia Asquith. London: James Barrie, 1955. "The Return," reprinted in: A Gallery of Ghosts: An Anthology of Reported Experience, compiled by Andrew MacKenzie. London: Arthur Barker, 1972. "The Buckross Ring," reprinted in: 12 Gothic Tales, selected and introduced by Richard Dalby. Oxford: Oxford University Press, 1998.

The Absentee. London: Methuen, 1939. (one act play; "a powerful drama of village life, three times broadcast on the National programme" blurb by Methuen)
Trial and Error. London: Methuen, 1939. (one act play)

A Defence of Ignorance. New York: House of Books, 1932. Common Sense about Poetry. New York: A. A. Knopf, 1932. A Letter to W. B. Yeats. Published by L. & V. Woolf at Hogarth Press, London, 1932. Life in English Literature: Being, an Introduction for Beginners. With Monica Redlich. Boston: Little, Brown, and Company, 1934. The Hansom Cab and The Pigeons. London: Printed at the Golden Cockerel Press, 1935. (about George V)
"The Novel: Assurances and Perplexities," in The Author, Playwright and Composer, Vol. 45, no. 4 (Summer 1935), pp. 112–15. What is Joyce Doing with the Novel? G. Newnes, 1936. (6 pages) Originally published as "James Joyce and the New Fiction," in American Mercury, No. 140, August, 1935, pp. 433–434. Common Sense about Drama. London: T. Nelson & Sons, 1937. The Man Who Asked Questions: The Story of Socrates. London: T. Nelson & Sons, 1937. The Minstrel Boy: A Portrait of Tom Moore. London: Hodder & Stoughton, 1937. "W. B. Yeats Ireland's Grand Old Man," in The Living Age, January, 1939, pp. 438–440. English Literature Course. London: London School of Journalism, [194 ? or 195 ? ]. 6 volumes. John McCormack: The Story of a Singer. New York: The Macmillan company, 1941. John Millington Synge. London: G. Allen & Unwin, 1941. English for Pleasure. Introduction by Mary Somerville. London: Methuen, 1941. Authorship. London: R. Ross & co., 1944. An Informal English Grammar. 2nd ed. London: Methuen, 1944. A Tongue in Your Head. London, Sir Isaac Pitman & Sons, 1945. ("About a year ago, the Incorporated Association of Teachers of Speech and Drama asked Mr. L. A. G. Strong if he would write a book which would show clearly problems relating to the everyday use of our mother speech."—Foreword.) James Joyce and Vocal Music. Oxford, 1946. The Art of the Story. London, 1947. Maud Cherrill. London, Parrish, 1949. The Sacred River: An Approach to James Joyce. New York: Pellegrini & Cudahy, 1951. * John Masefield. England, 1952. Personal Remarks. New York: Liveright Pub. Corp., 1953. The Writer's Trade. London: Methuen, 1953. Instructions to Young Writers. London: Museum Press; distributed by Sportshelf, New Rochelle, N. Y., 1958. "Three Ghosts and Stephen Dedalus." in Penguin New Writings Edition NW22 Penguin, 1944

Green Memory. London: Methuen, 1961. (posthumous)

Henry of Agincourt. Illustrated by Jack Matthew. London: T. Nelson & Sons, 1937. Shake Hands and Come out Fighting. London: Chapman and Hall, 1938. (about Boxing)
English Domestic Life During the last 200 Years: an Anthology. London: G. Allen & Unwin, 1942. Light Through the Cloud. London: Friends Book Centre, 1946. (about The Retreat)
Sixteen Portraits of People Whose Houses have been Preserved by the National Trust. Contributed by Walter Allen and others. Illustrated by Joan Hassall. London: Published for the National Trust by Naldrett Press, 1951. The Story of Sugar. London: Weidenfeld & Nicolson, 1954. Dr. Quicksilver, 1660 1742: The Life and Times of Thomas Dover, M. D. London: Melrose, 1955. Flying Angel: The Story of the Missions to Seamen. London: Methuen, 1956. The Rolling Road: The Story of Travel on the Roads of Britain and the Development of Public Passenger Transport. London: Hutchinson, 1956.