Фрэнсис Троллоп: Жизнь и творчество английской писательницы

English novelist

Frances Milton Trollope, also known as Fanny Trollope (10 March 1779 – 6 October 1863), was an English novelist who wrote as Mrs. Trollope or Mrs. Frances Trollope. Her book, Domestic Manners of the Americans (1832), observations from a trip to the United States, is the best known. She also wrote social novels: one against slavery is said to have influenced Harriet Beecher Stowe, and she also wrote the first industrial novel, and two anti Catholic novels, which used a Protestant position to examine self making. Some recent scholars note that modernist critics have omitted women writers such as Frances Trollope. In 1839, The New Monthly Magazine claimed, "No other author of the present day has been at once so read, so much admired, and so much abused". Two of her sons, Thomas Adolphus and Anthony, became writers, as did her daughter in law Frances Eleanor Trollope (née Ternan), second wife of Thomas Adolphus Trollope.

Born at Stapleton, Bristol, Frances was the third daughter and middle child of the Reverend William Milton and Mary Milton (née Gresley). Frances was five years old when her mother died in childbirth. Her father was remarried to Sarah Partington of Clifton in 1800. As a child, Frances read a great amount of English, French and Italian literature. She and her sister later moved to Bloomsbury, London, in 1803 to live with their brother, Henry Milton, who was employed in the War Office.

In London, she met Thomas Anthony Trollope, a barrister. At the age of 30, she married him on 23 May 1809 in Heckfield, Hampshire. They had four sons and three daughters: Thomas Adolphus, Henry, Arthur, Emily (who died in a day), Anthony, Cecilia and Emily. When the Trollopes moved to a leased farm at Harrow on the Hill in 1817, they faced financial struggles for lack of agricultural expertise.

Trollope already gained notice with her first book Domestic Manners of the Americans (1832). She gave an unfavourable, and in the opinions of America's partisans, an exaggerated account. Her novel, The Refugee in America (1832), expressed similar views, prompting Catharine Sedgwick to respond that "Mrs. Trollope, though she has told some disagreeable truths, has for the most part caricatured till the resemblance is lost." She was thought to reflect the disparaging views of American society that were allegedly commonplace at that time among English people of the higher social classes. Later Trollope wrote further travel works, such as Belgium and Western Germany in 1833 (1834), Paris and the Parisians in 1835 (1836), and Vienna and the Austrians (1838). Among those with whom she became acquainted in Brussels was the future novelist Anna Harriett Drury.

Next came The Abbess (1833), an anti Catholic novel, as was Father Eustace (1847). While both borrowed from Victorian Gothic conventions, the scholar Susan Griffin notes that Trollope wrote a Protestant critique of Catholicism that also expressed "a gendered set of possibilities for self making", which has been little recognised by scholars. She noted that "Modernism's lingering legacy in criticism meant overlooking a woman's nineteenth century studies of religious controversy." Trollope received more attention in her lifetime for what are considered several strong novels of social protest: Jonathan Jefferson Whitlaw (1836) was the first anti slavery novel, influencing the American Harriet Beecher Stowe's Uncle Tom's Cabin (1852). It focuses on two powerful families – one that strongly encourages slavery and another that strongly opposes it and provides sanctuary for slave refugees. It antagonizes pro slavery characters, making them appear foolish and uncultured. Frances also brings out her idea of a stereotypical American by drawing certain characters as shrewd, convincing, sly and greedy. Published in 1840, Michael Armstrong: Factory Boy was the first industrial novel to be published in Britain, inspired by Frances's visit to Manchester in 1832, where she examined the conditions of children employed in the textile mills. The story of a factory boy who is rescued by a wealthy benefactor at first, but later returns to the mills, illustrates the misery of factory life and suggests that private philanthropy alone will not solve the widespread misery of factory employment. Other socially conscious novels of hers include The Vicar of Wrexhill (1837, Richard Bentley, London, 3 volumes), which took on the issue of corruption in the Church of England and evangelical circles. Possibly her greatest work is the Widow Barnaby trilogy (1839–1855), which includes the first ever sequel. In particular, Michael Sadleir considers the skilful set up of Petticoat Government [1850], with its cathedral city, clerical psychology and domineering female, as something of a formative influence on her son's elaborate and colourful cast of characters in Barchester Towers, notably Mrs. Proudie.

In later years Frances Trollope continued to write novels and books on miscellaneous subjects – in all over 100 volumes. In her own time, she was considered to have acute powers of observation and a sharp and caustic wit, but her prolific production coupled with the rise of modernist criticism caused her works to be overlooked in the 20th century. Few of her books are now read, but her first and two others are available on Project Gutenberg. After the death of her husband and daughter, in 1835 and 1838 respectively, Trollope moved to Florence, Italy, having lived, briefly, at Carleton, Eden in Cumbria, but finding that (in her son Tom's words) "the sun yoked his horses too far from Penrith town." One year, she invited Theodosia Garrow to be her house guest. Garrow married her son Thomas Adolphus, and the three lived together until Trollope's death in 1863. She was buried near four other members of the Trollope household in the English Cemetery of Florence.