Глоранта: Фэнтезийный мир Грега Стаффорда

Fantasy world created by Greg Stafford

Glorantha is a fantasy world created by Greg Stafford.

It was first introduced in the board game White Bear and Red Moon (1975) by Chaosium and then in a number of other board, roleplaying and computer games, including RuneQuest and HeroQuest, as well as several works of fiction and the computer strategy game King of Dragon Pass. The Gloranthan world is characterised by its complex use of mythology, heavily influenced by the universalist approaches of Joseph Campbell and Mircea Eliade, its sword and sorcery ethos, its long and distinctive history as a setting for role playing games, its community development and expansion, and its relative lack of Tolkienesque influence, which is uncommon among early American fantasy role playing games. Stafford first wrote about in Glorantha in 1966 as a way to deepen his own understanding of mythology. He founded the company Chaosium to publish the board wargame White Bear and Red Moon in 1975, which was set in Glorantha. Chaosium later published other games in the setting, including the critically acclaimed RuneQuest. Various later editions of RuneQuest, the narrative role playing game HeroQuest (the first edition of which was published as Hero Wars), and the video game King of Dragon Pass were also set in Glorantha, as were several prominent fan efforts. Stafford has also explored the Gloranthan setting in the fantasy novel King of Sartar and a number of unfinished works published under the collective name of "the Stafford Library". In Glorantha, magic operates from the everyday level of prayers and charms to the creation and maintenance of the world. Heroes make their way in the world, and may also venture into metaphysical realms to gain knowledge and power, at the risk of body and soul. In the more recent material, competing magical outlooks (such as theism, shamanism and mysticism) exist to explain the world. Within each metaphysical system, adherents may also compete, such as when theistic worshipers of rival gods battle each other. The world is flat, with a dome like sky, and it has been shaped in large and small ways by the mythic actions of the gods. The 'historical' world of Glorantha is in a more or less fallen state, having recovered only partially from a universal battle against Chaos in the mythic Godtime. Humans are the dominant race, but other sentient beings abound. Some, such as the mystic dragonewts, are unique to Glorantha. Familiar nonhuman races, such as elves and dwarves, are distinct from their common, Tolkienesque portrayals.

Glorantha's origins lie in experiments with mythology, storytelling, recreation, and the blending of ancient societies. It is unlike its contemporary, Dungeons & Dragons which has its roots in wargaming. Stafford's first imaginings of Glorantha date back to 1966, when he began his studies at Beloit College, as a vehicle for him to deepen his own understanding of mythology by creating his own mythology. Stafford was greatly influenced by the ideas on the mythology of Joseph Campbell, and echoes of Campbell's work are to be found in many aspects of Glorantha; for instance, the story of the "God Learners" can be seen as an exercise on the implications of Campbell's idea of a unifying monomyth, and the story of Prince Argrath an exploration of Campbell's The Hero with a Thousand Faces (1949). More abstractly, Campbell's idea that myths are how we shape our lives deeply informs the picture of life in Glorantha throughout the game world's publication history. The first game set in Glorantha was the board game White Bear and Red Moon. The game details a time of constant war between the land of Sartar and the Lunar Empire during the reign of Argrath Dragontooth. Its board details an area called Dragon Pass, while the rulebook provides details of the warring factions, their lands, and leaders. In addition, it provides a large scale map titled the Greater Lunar Empire, showing a larger world in which Dragon Pass is placed. The White Bear and Red Moon does not disclose the name of the world. Nomad Gods, a second board game, published by Chaosium in 1978, and based on the raids and wars between the beast riding, spirit worshiping tribes of Prax, a cursed land located east of Dragon Pass. It also did not mention the world by name. In 1978, after the publication of Nomad Gods, and prior to the publication of RuneQuest, the name Glorantha appeared in print for the first time. Wyrm's Footnotes #4 contained three articles on Glorantha and a map of the world itself.

The first edition of the role playing game RuneQuest was released in 1978. Here, the world was referred to as "Glorontha". Several later editions were made; the second edition ("RuneQuest 2") in 1979 introduced many sophisticated game aids, such as Cults of Prax and Cults of Terror, and polished campaign packs such as Griffin Mountain. Using materials such as Cults of Prax, players aligned their characters with any of a number of religions, grounding those characters in the political, cultural, and metaphysical conflicts of the setting. Each religion offered a distinct worldview and cultural outlook, none of which considered objectively correct out of character. This approach of offering competing mythical histories and value systems continues in current Glorantha material. Cults of Terror focused on the worship of evil gods and adversaries, such as Vivamort, a vampire cult, and Lunar and Chaos cults. In 1993, Stafford published his first major expansion of Gloranthan mythology, the novel King of Sartar. was published with Avalon Hill in 1984. The default setting for this edition was given as the "Dark Ages of fantasy Europe", were not set in Glorantha, and required a further supplemement, Glorantha – The Second Age to play. Written by Robin Laws, it was set in the Second Age of Gloratha's history against the backdrop of The God Learner empire and the Empire of Wyrm's Friend. In this edition, Mongoose produced 17 supplements and adventures based in Glorantha, alongside their generic fantasy background. A second edition Mongoose RuneQuest II was published in January 2010, but Mongoose Publishing's licence for Gloranthan material lapsed in May 2011. The RuneQuest II game system has been retitled "Legend", and contains no Gloranthan material. A new company, The Design Mechanism, was formed by the authors of RuneQuest II, and ownership of the Gloranthan supplements produced for the "RuneQuest II" line was transferred to them (PDF versions continued to be sold). There are close links between The Design Mechanism and Moon Design Publications, with The Design Mechanism founders writing material for both companies. Their new edition of the RuneQuest rules, RuneQuest: Sixth Edition, did not have a Gloranthan setting. In 2018 Chaosium published RuneQuest Roleplaying in Glorantha. Wholly set in Glorantha, it advanced the in game date to 1625, and focuses once again on Dragon Pass. Along with its two slipcase companions, it provides a complete overview of this region. Again the village of Apple Lane in the homeland of Sartar is used as a starting adventure setting, but updated to the year 1625. Two further supplements concentrate on specific areas within Dragon Pass.

Broos are creatures of chaos. As they can fruitfully mate with anything, they have the body of a man and features of their animal parent, often deer, goats, antelope, cattle, and sheep. The animal parent normally dies when the child eats its way out of the host at full gestation. They worship Malia, the Mother of Disease, and Thed, the goddess of rape and mother of Chaos. Scorpionmen are belligerent and resemble scorpion human centaur. They are stupid, vicious and live in violent matriarchies with a religious emphasis on devouring. They are chaotic in nature. Ducks or Durulz are flightless humanoid duck like creatures who have arms rather than wings (or men cursed with feathers and webbed feet. They have unknown ancestry and may descend from cursed humans or cursed ducks. They reside around rivers, mainly in Sartar, and have an unexplained mystical affinity with Death. Aldryami or Gloranthan elves, are plant people. They worship nature and the sun and Aldrya, deity of plants, specifically. In contrast to Tolkienesque elves, they are alien, physically plant like and unfriendly to "meat men" (humans). Like many other fantasy fictional elf races, they are excellent archers. Mostali are machine like dwarves. They are xenophobic, orthodox and insular. They have invented iron, which has many extraordinary magical properties in Glorantha, contrasting to the primary metal used bronze. Uz, the trolls, are the race of darkness, large, intelligent, astoundingly omnivorous, with a very developed sonar like sense (darksense). Their societies are matriarchal, and they worship, among others, a goddess of darkness called Kyger Litor, mother of the Trolls, and the more violent and sinister Zorak Zoran. Dragonewts are a magical race made up of forms of neotenic dragons. They are engaged in a cycle of self improving reincarnation. They are alien, with an incomprehensible mindset. They must have oral surgery in order to speak human languages.

Glorantha has been the background for a number of different media, and numerous pieces of myth and fiction created by the Glorantha community, featured in magazines such as Tales of the Reaching Moon. Several hundred gaming miniatures by various licensees and about a dozen plush toys have also been produced at various times.